STREET photography

NEXT TWO-DAY WORKSHOP IN DTLA!

Sat., May 18 & Sun., May 19, 2024 :  10 am – 4 pm

In this two-day workshop, participants will get a jam-packed weekend, all in DTLA. There will be two shoots, two critiques, two lectures, and two days of learning how to see well, move quickly, slide in, and shoot, all while using a wide-angle lens. You will learn the law and ethics of street photography, what makes a good street shot, how to anticipate a moment, how to get close, and how to work a situation.

Each day will be divided among the classroom lectures, critiques, and photographing on the streets of DTLA. A full itinerary will be sent to the participants upon enrollment.

Tuition: $275

INTIMATE CLASS OF ONLY FIVE PARTICIPANTS!

DTLA Chinatown Classroom

(1 block off the 110/101 exit to '“Broadway

Free Convenient Parking

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STREET PHOTOGRAPHY CRITIQUE

Prerequisite: Street Photography with Julia Dean

Critiques are in person on Sundays, 10 am - 1 pm in DTLA

2024

July 28

August 18

September 8

September 29

October 20

TUITION:

$225

Class Limit: 10 partitpants

This is a continuation of the introductory Street Photography class with Julia. It is meant to motivate you to shoot weekly with your comrades, or on your own in preparation of a critique of the work. Every three weeks, the group will meet in DTLA for a critique and a lecture prepared by Julia to help guide you in your quest to become an accomplished street photographer. You will also be given specific assignments between critiques.

This class can be repeated numerous times, as Julia will continually change the lectures. Julia will take a survey at the beginning of the class to see which of many topics she offers will best suit your needs.

THE DOCUMENTARY PROJECT

A six-month class that meets once a month

NEXT CLASS BEGINS IN JULY 2024

Tuition: $600

This is a six-month class that meets in person in a DTLA/Chinatown classroom once a month.

Class limit: 10 students

This is a six-month class that meets once a month for critique and lecture. Each person will take on a documentary project within Los Angeles. It can be a project — on and off the job — about one of the “characters” who dress up for tourists on Hollywood Blvd. Or you could choose to tell the story of someone living out of their car, while going to college at the same time. Another idea might be to document life in a hair salon or barber shop along Cesar E. Chavez Ave. in Boyle Heights. The point here is that you can choose any type of documentary project that shows the viewers an inside look at a specific community or an interesting person in Los Angeles.